It’s 94 degrees in Brooklyn, and I am writing in a pair of blue cashmere fingerless gloves. They are a gift from a dear friend – crafted from recycled goodness, and sent from Canada. They are also a shared talisman that connects me to my tribe: a group of women who inspire me, recognize me, support me, and challenge me. Women writers.
We found each other in retreat. At Hedgebrook, an oasis for women writers on Whidbey Island, famous for its radical hospitality. Hedgebrook is the only retreat I have ever been to, though, as I write this, I am poised to announce a new, week-long retreat in Hawaii that will combine three of the ingredients that Hedgebrook uses to create magic: place, space and community. It’s hard to imagine that, once, I was a writer who thought, because I have my own office at home and time to write, a retreat wouldn’t offer me anything I didn’t already have.
So how wrong was I?
Place first. A retreat is surely always beautiful. A setting that makes you want to breathe in deep, go for walks, listen to the birds (or frogs, owls, or the rain on the leaves). A place that awakens your senses, that reminds you to be in your body and use it when you write. Where you find a new rhythm that allows you to feel your too-familiar ones, which is to say to see yourself and your work with new eyes. A great retreat will also encourage you to stay inside and get lost in the other realm you created. To be in both worlds at the same time.
Let’s talk about that getting lost, because that is key too: more than no cell phones; an abundance of delicious food you didn’t have to prepare; no one asking you where the scissors are or if we are out of toilet paper (and jeez, it was just a simple question!). Quiet time at a retreat means that there is nothing else to do for quite a while. You’ve given yourself the gift of time, you’ve likely traveled far, and what I have found for myself is: the space that opens up for me changes my relationship to my work. Whereas at home I am much more likely to be thinking about product – how much have I accomplished? Can I fix this? Is it finished? And if it isn’t, can’t I wash the dishes instead? – when I am in retreat, I am able to look beneath the surface of the work and break it open, because, why not? I have the time. I can always go back to my earlier draft. The quiet writing time of a retreat, for me, has been a time when I can play, explore, take a risk, step off the path. And I have been able to tap into the heart of something, unseen, shifting, necessary. Something that, honestly, when I was home, even in the quiet of my own lovely writing room, I didn’t know was there.
The final piece, which my Goddard colleague Nicky Morris pointed to in a recent blog post, is community. Other writers. It’s a little counterintuitive that one would be going off into the woods to have conversations, but other writers – peers, mentors, students – are the source of the true gifts of retreat: inspiration and encouragement that continue long after you leave. They are the ones who – on that day when you decided to take a risk and rewrite your manuscript in the first person plural – serendipitously have the perfect story, “We,” and four other book recommendations that find their way magically into your email inbox. Or, on a long walk with a new friend, you might confide your current struggle – that you are writing your third book, say, and yet with every one it seems like you have to teach yourself to write all over again – and you find out that she has exactly the same experience, and she’s on book number eight. If your retreat also includes workshops, the support you get from your community will be more directly focused on your creations, rather than the writing life: a prompt to try, a comment about an aspect of your work that is really haunting, or a suggestion for finding a way to rethink something that isn’t working. Maybe you will be the student who finds a flash of inspiration from the first writing prompt and ignores everything else in the workshop because you are lost in your own world, writing. Maybe you will be the one who reads a brand new piece at the final evening open mike and brings everyone to tears. Maybe you will leave with a journal full of new ideas, beginnings, and go-to exercises for when you are home and stuck.
I know you will leave with life-long friends. I have, every time. From my last retreat, which began with Vortext, I gained a new sisterhood, as well as great enthusiasm for the writers who attended, some of whom (and I know this because I worked with them, heard them read, ate with them) you will be reading someday. I also left with a pair of red fingerless gloves (my winter pair!) handknit by one of the writers who attended. I have other gifts and talismans too – from homemade jelly to a carved ivory mermaid, crystal balls, a book, a four leaf clover, a pencil so elegant I am afraid to write with it, plastic earrings that (I kid you not) say “Compost Queen,” a ginger lollipop (no, I ate that); the list, as already crazy-long as it is, goes on. These gifts are evidence of the magic that happens in retreat, and reminders that we are in this together; they are my motivation to help create another space for writers in the world. Even now that I am home again, I know I am not alone. They – you – are out there too.
(This post from the archives was written just as Pele’s Fire was launching in 2015)